none of them make music for the twenty-second century. the duo is constantly deconstructing its stylistic boundaries and follows traditions only to destroy them. on stage, signup (anymouse, big zis, grenzgänger) is the master of ceremony, michal ho (tuning spork, nicetry, etc.) is the selector. vocals glide over beats generated in little boxes full of flashing lights, sometimes smooth, sometimes razor-sharp. the debut album *one of them* will be released on nicetry records and comes on double 12 inch vinyl with download code included.

played by ricardo villalobos
lady blacktronika aka “the first lady of beatdown” brings three solid productions with all in vain ep, the next instalment on bass culture records. discovered on myspace by mike huckaby back in 2007, lady blacktronika’s sound brings a gritty edge from her street days, while simultaneously oozing a unique female sensitivity. making an impressive transition from the days when the dj boys wouldn’t let her play with their toys, she runs multiple labels, sound black recordings, sound kemystry and is co-creator of cocaine records, as well as releasing on deep explorer, skylax, underground quality and now bass culture. jumping straight in with learn me baby, the a side sets the tone with a deep and pounding, powerful groove. the title track takes it up a notch, the most incessant of the package, built for that peak-time dance floor fury. while the techno undertones remain, lord knows is a beautiful swirling house number that infuses the ears and body. the common denominator in all cases is the resonating voice of lady blacktronika herself, adding the human touch… a touch of soul.

limited nice price action
the second album from bombers, penned by pat deserio (kebekelektrik / rational youth) and george lagios. more accomplished than its predecessor, the self titled >bombers< lp, 2 takes their sound further and produced their major hit>(everybody) get dancin<. stepping away from danceable boogie instrumentals, and putting more emphasis on upfront vocal dance workouts there are a number of highlights including >lets dance<, >shake< and >pistolero<.

limited nice price action
monster release produced by tony cha cha. bleeps, noises, fat beats, the perfect dj tool to make people dance whatever happens. limited copies available

if there is one thing jonas kopp has proven over the last decade is that he can turn his hand to just about anything. since debuting on pfirters revered mindtrip music back in 2006, the buenos aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic musics various forms. from warm chicago house through to deep, dark and driving techno on labels like deeply rooted house, stroboscopic artefacts and more, kopps hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to flourish as one of technos more liberal dance floor purveyors.

we here at watergate are extremely excited to bring you our next 12inch release from a close friend of the club and producer extraordinaire, alex niggemann. for this ep alex joined forces with the acclaimed voice from whomadewho, bon homme, to create an incredibly warm and beautiful journey. sorrow is a masterfully crafted array of sound and emotion. while a big rolling kick and crisp hand claps drive the groove, a capricious arpeggio, warm piano chords and the smooth serenade of bon hommes vocals create an undeniably passionate excursion into the deeper moments one can experience on the dance floor.

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>099< is a phat two track ep of silky electronic dance music !! the main cut is a darling hypnotic track that becomes more addictive each time. the bleeps multiply before making room for the master hit. the mood continues to climb and feet shall stick to floors

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phat phreaky rockin dance clubber

lonelady meldet sich mit einem 6-minütigen funky dance-groover zurück. -groove it out- klingt wie eine fusion aus dem spät-70 er disco-punk-funk von esg und a guy called geralds hypnotischem ibiza-klassiker -voodoo ray-. mit leichter funkgitarre und erfrischenden (vocal-)passagen über einem einfachen machine-drumbeat. organik trifft elektronik, produziert von lonelady zusammen mit bill skibbe

cut copy presents: oceans apart - vol 1, is the first of two vinyl 12 inch eps that compile a selection of un-mixed highlights from the dj mix compilation, for djs, vinyl collectors and home listeners. globetrotting melbourne ambassadors cut copy present oceans apart, a 19-track snapshot of their hometowns thriving underground dance music scene and club culture. this first volume includes michael ozone (esp institute), andras & oscar (mexican summer, dopeness galore), nile delta (cutters), roland tings (internasjonal).

soft gamma repeater finds graze continuing to develop and refine their singular voice, enmeshing a tough percussive edge with the rich textures of dance music at its deepest. but it doesn t take many listens to realize that soft gamma repeater is also their fullest and most accomplished effort to date, as well as their most cohesive. limited 3x 12 inch!!

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

back on track after a nine year hiatus the next release from cosmic records continues with the lost recordings series - atonement ep, lr9, by steve bicknell. cosmic, founded in 1993 by sheree rashit and steve bicknell, ran in conjunction with the pairs infamous lost events, the lost recordings division of cosmic, being a reflection of the lost dance floor.
lost recording 9, atonement ep, comprises 4 untitled mesmerizing tracks filled with intensity and spirit. supported by jeff mills, mike parker, surgeon oliver ho & luke slater to date.

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

london-based artist jonny cade has already enjoyed solid recognition for his releases on the likes of 2020 vision and morris audio. this time round, he raises his game once again for music is loves 10th release, dishing up a serious dose of house goodness aimed squarely at the dance floor.

see how well it fits! the classic insidious groove. this is the sound of cocaine, people. the gay marvine interpretation takes the shape that another detroiter found on his political disco classic and allows the full song to reveal itself. a dance floor treasure.

at a time when the weekly flow of new albums, eps and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in lokoms new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present. totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, good news from mars soothes like a perfect conversation in a sea of things left unsaid. at the same time dry, blazing and melancholic, blurred vision recalls the brooklyn duo team shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. when combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance: an infinity of possibilities where hope still exists. download card inside.

for the sixth instalment in our catalogue we are extremely happy to be welcoming two new faces to the tribal pulse family. during our label showcase at last years amsterdam dance event, sonic union from sweden and khen from israel voiced their intentions to collaborate on writing a track in the specific style of tribal pulse. the week before our showcase at this years ade we have the privilege of releasing it, and we think you will agree that they have hit the nail on the head.

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

memory is the new solo ep from wys! co owner and resident jacob husley.the originals warm atmosphere is broken up by a darker bass stab, a dreamy vocal floats on top of the underlying bouncy sub bass. the track builds and breaks finally dropping into a harder groove with busy 909 claps sprayed on top. glimpses remix strips the track down and adds his own trademark warm dusty kick drums and percussion. the vocal gets pitched down, resulting in one of those special tracks that can be dropped anytime guaranteed and tested to groove and get the dance floor moving.

mark e presents a late-year surprise with avion ep. featuring two new tracks from the producer plus remixes.

little boxes recordings brings the second maxi single on 12 inch vinyl with a mixture of starbuds electronic elements and cotton candys handmade guitar strings. on the a side they create their imagination of modern dance music. the b side brings a fine techno based track with lot of syntheziser parts by starbud. the second song on the b side gives a warmer feeling with a guitar based piece of their minds.

black 140g double vinyl pressing with full colour sleeve. limited edition of 300. includes download code.
all nervous energy, ill-defined brilliance, detached emotion, and subdued minimalism, man is deaf is the debut album from london based electronic musician brassica. sophisticated and distinctive it distills michael anthony wrights storied musical past, capturing new wave, psych, synth music, avant garde electronics, house, and italo disco, without sounding consigned to any part of it.

• divided returns to resin after
appearing on the rsn002 compilation • great dj / press support in the link and pasted below
• features double-sided insert
after providing a rugged track for the rsn002 compilation earlier this year, divided returns to the resin label and expands on the delicately textured sounds he has become known for, this time with a full four tracker of diamond edged cuts.
this new release, entitled moment (historical), blends together elements of uk hardcore and breakbeat into the techno continuum to create a fully fledged and diverse ep that showcases divideds own unique interpretation of dance music

hamburg-berlin duo hauke freer and matthias relling aka session victim return to delusions of grandeur with their second long player, see you when you get there .

originally released in 1978, luv you madly orchestra s 12- taken from their first (and only) lp features the prodigious mixing talents of the iconic disco alchemist walter gibbons whose deconstructive style has left an indelible mark on contemporary dance music right up to the present day. elements of dub and experimentation had always been ingredients in gibbons formula when it came to dj-ing, mixing and re-mixing records throughout his career and -rocket rock / moon maiden- is evidence of this.

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

we are very honoured to welcome the cologne-based producers hade + gutta to the local talk family. their debut release marks a further development of the local talk sound, balancing between house & bass. the ep kicks off with *nothing wrong*, a track built around a bouncy bass riff that lingers and weaves around a clever vocal splicing. *in me* continues where *nothing wrong* left off but adds more depth and ingenious stabs, it is a 100% bouncing track for sure. ending the ep is hades solo number *baphome*. a bass fuelled floor packer with nicely interwoven synths and a hypnotic house groove that remains present throughout the track. in conclusion - a garage-esqe belter with the right amount of wobbly bass to satisfy all your dj & dance floor needs.

special 2017 repress
re-igniting the dancefloors twenty years after its original release, steve bug refreshes this classic chez damier production originally from 1992. can you feel it is one of those classic new york / chicago house jams that just defines a moment in dance music history. dessous label boss steve bug arranges two special mixes that celebrate and re-juvinate this very special record. steves straight up remix maintains the classic vibes with a sensitive 90s themed rework that calls upon clean, fresh drums and smooth sub bass as its initial building blocks. the instantly recognisable vocal is included, as is the hey-day chord vibes and glorious us house melodies. simply deadly in the right moments. a re-dub version is also included that spaces things out and opens up the strings in a breezy and superbly mixed club tool. a new york dub has also been included, dug out from the chez damier vaults and re-mastered for 2012 - highly prized vibes on this and his trademark, pushing, swinging drums keep us going on and on!

this is the second of the 6-volume surgeon reissues label srx.
recorded one night almost 20 years ago after a bottle of whiskey, pet 2000 imagined a future of mutated, mechanical animals. the title was inspired by an actual pet shop in nottingham.
played by every techno dj back in the 90s, it can still burn a hole in any dance floor today.

we are excited to announce a new collaboration between the innovative danish producers nima gorji & illinton. the duo are releasing part 1 of a 2 ep project entitled the 1st experience. what do you get when you somehow merge the sound and colour of their ibiza base with abstract jazz influences ? something very interesting. 2 new tracks to listen to and to dance to

phil moffa is an accomplished audio engineer who has worked with nile rodgers, seth troxler, anthony parasole, the martinez brothers, kool keith, roc marciano, and many others. we are honored to release his first solo effort for plan b recordings, a quartet of tracks made from the various machines in phils butcha sound studios. from the hypnotic *warm wave* to the berghain-worthy *premonition*, this is modern machine music for dark dance floors.

exzellente remix-ep des norwegischen duos soft as snow, das seinen futuristisch-experimentellen pop von vier schillernden persönlichkeiten neu bearbeiten lässt: lucy aus italien (stroboscope artefacts), brian degraw aus nyc (gang gang dance), gabe gurnsey (factory floor), sowie der estländerin maria minerva.

celebrating 5 years of needwant, the imprint that made the world familiar with mario basanov, kim ann foxman, ejeca, maxxi soundsystem and many more, asks their now admired artists and its extended family to create fresh reinterpretations of its stunning back catalogue

soulful deephouse from hallex m, dj fudge & omar plus remixes by art of tones and glenn underground.

always at the top of their game, hot creations this time call upon torontos nathan barato for the next release on the label. the unique and fresh sounding *everytime i see you* is a real groover with a low slung bassline creating deep swing and flow with the vocals from room 303 taking it to the next level. brazilian volkoder is first to remix, picking up the pace for the dance floor he adds a new killer bassline, stripping down the vocal but holding onto the groove. last up drumcode favourite nicole moudaber brings her techno touch to the release with her remix making this a wholly satisfying package indeed.

(180 gr heavy weight gatefold 2lp with liner notes) funky chicken brings together some of the best belgian dance tracks from the early seventies.

groove line records autumn series of properly licensed rare disco / funk reissues continues with two superb slices of dance floor soul from the little known candy bowman >i wanna feel your love and since i found you (love is better than ever).<

dance aiming to go somewhat deeper and darker than his debut album, on some kind of sign ernesto endevours to go beyond the obvious and easily cliched elements of an electronic lp, capturing the world within the spaces, using otherworldly modulars and field recordings to take the listener to the outer reaches of the albums very heart and soul.

the sweet-sixteen issue featuring exclusive tracks by young electro prodigy fakear and kitsuné homies logo, as well as soon-to-be classics by the likes of jaws, new puerto rican sensation buscalbulla, dance-punk duo sego, danish beauty kwamie liv and more!

plus sized house hitmaker dj sneak has knocked together his second release for exploited records, laying down some serious swing on 3 club tracks which are destined to make dance floors sweat this summer, from ibiza to points beyond. with sneak s infamous grill and barbecue sessions in mind the night dish ep is a proper doner kebab and satay meal after a heavy night out in berlin. featuring artwork by berlin-based street artist nomad.

time now for something a little different! farley jackmaster keiths x-rated jackmaster dick alias is in effect right here with the * sensuous woman goes disco*, essentially a cut-up of jesse saunders * funk u up* and the comedian rudy ray moores > the sensuous black woman meets the sensuous black man< this record takes no prisoners! a solid proto-ghetto house classic it is not for the faint hearted or the easily offended! take heed though, it will make you dance!
re-mastered, re-pressed and re-issued in conjunction with trax records.

2014 repress! super music for super people. lucky you!the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. its guaranteed fresh to infinity and beyond, yeah!

these days house music is often about a 4/4 beat and a catchy groove. the idea is to do something simple to which you can get your groove and, and not so much about listening. the borders of electronic dance music makes room for the hypnotic beats, the driving grooves, but not always the melodic universes. leman & dieckmann have been making music for several years, both together and apart, but almost all of their music was driven mainly by the beat. but both having an urge to discover the dynamics of melodic synths and melodic percussion they decided to make an album. they agreed that the album had to tell a story, and like so many times before in music the topic became love. the story they try to tell through the music on the album *takes two* is the story of a breakup, the denial of the need of love, and the discover of the fact that often in life it takes two, to be happy.

roberto bosco has selected in recent months kinys music, to better prepare his first 12 inch, consisting of four tracks, named *damaged memory*. the track *unknown* (a1) leads off the dance of the release on last drop records imprint. it is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of kiny. the track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. all this helps to shape a bad presage that fades away into the mystery.

for the 20th release on his acclaimed retrofit label, jay shepheard steps up to deliver an 8 track double 12 inch club album of top quality, dj friendly dance material.

hazy, snare-heavy, house stompers. john swings percussive edit gives a gritty, tropical twist to battistas beats, clicks and terse samples.

on tuff ruff the ethiopian producer blends cultural vocals and swirling synths with a masenqo lute, giving the track its worldly flair. the composition - a seifu-described mix of ethiopian folk and uk garage, doesnt feel like a dance song theres an ancestral vibe at work, something richer than the typical oontz oontz youd hear in nightclubs. as a result, tuff ruff isnt weird at all. just approach it with an open mind.

the raw ten is a collaboration between pittsburgh track authority and nic offer of !!!. *funny thing* is the first release by raw ten, a brand new collaboration uniting pittsburgh and new york city for maximum dancefloor devastation. following the path laid down by inner city so many years ago, *funny thing* is a vocal techno beast ready to do damage in the sets of deejays from deep underground all the way up to more mainstream. everyone will be vibing together in dance thanks to the soulful vocals of lou tanning alongside classic techno chords, but with banging drums and production values that could only come from today. in case the original wasnt enough, detroits church boy lou was enlisted for the remix, and it is a dubbed out jacking monster itself. jams as distinctive as these deserve to be treated right, so each one gets a full side 45 rpm cut from one of americas best dance music mastering engineers, dietrich shoenemann. the original full-color sleeve artwork is done by up-and-coming pittsburgh artist julie mallis.